{"id":2491,"date":"2024-11-28T10:07:05","date_gmt":"2024-11-28T09:07:05","guid":{"rendered":"https:\/\/simson-cohen.de\/dietmar-schneider\/"},"modified":"2025-05-12T01:26:40","modified_gmt":"2025-05-12T00:26:40","slug":"dietmar-schneider","status":"publish","type":"page","link":"https:\/\/simson-cohen.de\/en\/dietmar-schneider\/","title":{"rendered":"Dietmar Schneider"},"content":{"rendered":"\t\t
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“Dietmar Schneider is concerned with the people themselves, not necessarily their religious, political or geographical background.”<\/span><\/h3><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Dietmar Schneider - The hero of Hagen<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The universal perspective<\/span><\/h2>

Dietmar Schneider’s focus on the universally human enables viewers to recognize connections across cultural and social boundaries. His depictions are testimonies to individual lifeworlds, which together paint a multifaceted picture of the human condition. <\/h4>

He approaches his subjects with a sensitivity that makes the special in the everyday and the unifying in the different visible. The works invite us to question our own ideas and open up new levels of understanding. <\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An observer of the human condition whose work captures the essence of the individual. His perspective is a profound exploration of existence, beyond superficial categories. <\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2020-2026 INSTEAD<\/h1>

instead of nothing for Auschwitz Liberation Memorial Day 27.1<\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The artist Dietmar Schneider: \"The Hero of Hagen\"<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Vita<\/strong><\/p>

1967 \/ born in Hagen<\/p>

1982-2020 \/ Urban Art Graffiti \/outdoor area<\/p>

1983 \/ Video projects Avanti Gallery Painting \/ Music Hagen<\/p>

1984 \/ Group of works ROM Avanti Gallery Hagen<\/p>

2006 \/ Workshop over 4 months Kinderdorf Wei\u00dfenstein Hagen + Blindenhilfswerk<\/p>

2021-2022 \/ Group of works Sex sells, reinterpreted based on old masters<\/p>

2022 \/ IRA Belfast New group of works<\/p>

Exhibitions<\/strong><\/p>

2020 \/ No Borders project with 40 young people<\/p>

2020.27.1 \/ Auschwitz STATT Sculpture Hagen Dortmund Cologne<\/p>

2018 \/ opeARTion Pump the Trump<\/p>

2018-2019 \/ The piano in the Volme 1938, 20 installations<\/p>

2017 \/ Project Dark Room<\/p>

2016 \/ Project Open Space Bunker <\/p>

2015 \/ Project Wash Gang RAF 1968\/1977:<\/p>

2014 \/ Project Heaven and Hell Church Installation<\/p>

2014 \/ Urban Heros project Ihsan Ahlisan<\/p>

2013 \/ Hagen artist Osthaus Museum, sound installation everything a human soup<\/p>

2013 \/ Project Farewell 175 minutes 20 guests<\/p>

2013 \/ Collaboration Trinity<\/p>

2012 \/ Open studios \/ Annual exhibition Kooperative K<\/p>

2011 \/ Hagen artists Osthaus Museum Hagen<\/p>

2010-2011 \/ Annual exhibition artist group Kooperative K<\/p>

2010 \/ Open studios<\/p>

2009 \/ Cooperative K Hagen<\/p>

2007 \/ Producers Gallery Heinitzstr. Homeless <\/p>

2006 \/ Gew\u00f6lbekeller Hagen Exhibition<\/p>

2003 \/ Shmah Israel<\/p>

1988-1990 \/ Exhibitions on reunification<\/p>

1985-1987 \/ Various exhibitions Group of works Antiquity<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dietmar Schneider PAINTING, SCULPTURE, INSTALLATION, CURATION<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Kidnapped work 1 – 4<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Work 1 Kidnapped<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Work 2 Kidnapped<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Work 3 Kidnapped<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Work 4 Kidnapped<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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“Dietmar Schneider is concerned with the people themselves, not necessarily their religious, political or geographical background.” Dietmar Schneider – The hero of Hagen The universal perspective Dietmar Schneider’s focus on the universally human enables viewers to recognize connections across cultural and social boundaries. His depictions are testimonies to individual lifeworlds, which together paint a multifaceted […]<\/p>\n","protected":false},"author":1,"featured_media":2385,"parent":0,"menu_order":600,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2491","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nDietmar Schneider - Sparkasse an Volme und Ruhr enteignung von J\u00fcdischen Bankguthaben<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simson-cohen.de\/en\/dietmar-schneider\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dietmar Schneider - Sparkasse an Volme und Ruhr enteignung von J\u00fcdischen Bankguthaben\" \/>\n<meta property=\"og:description\" content=\"“Dietmar Schneider is concerned with the people themselves, not necessarily their religious, political or geographical background.” Dietmar Schneider – The hero of Hagen The universal perspective Dietmar Schneider’s focus on the universally human enables viewers to recognize connections across cultural and social boundaries. 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